Historical Fiction Pitfalls: Avoid These Common Mistakes in Historical Novels

When you pick up a historical fiction, a genre that blends real historical events with imagined characters and scenes. It’s meant to pull you into another time—not to remind you you’re reading a novel. But too often, it fails. The clothes are right, the castles are there, but the people act like modern folks in period costumes. That’s one of the biggest historical fiction pitfalls: losing authenticity for convenience. Readers don’t just want pretty settings—they want truth wrapped in story. And when the details are wrong, the whole world cracks.

Another common mistake? Treating history like a buffet. Writers grab the most dramatic bits—battles, royal scandals, forbidden love—and ignore the quiet realities. People didn’t just wear corsets and whisper in candlelight. They dealt with lice, bad sanitation, and laws that treated women like property. historical accuracy, the faithful representation of time, culture, language, and technology from the past isn’t about being a textbook. It’s about making the past feel lived-in. If your 18th-century farmer talks like a Shakespearean actor, or your Victorian lady has modern views on gender, you’re not deepening the story—you’re breaking it.

Then there’s the fiction vs fact, the balance between invented narrative and documented history problem. Some authors think adding a real king or battle gives their book credibility. But if the king’s personality is made up, or the battle’s outcome is twisted to serve a character’s arc, readers who know the history will feel betrayed. You don’t need to change history to make a good story—you need to understand it well enough to let it shape the story. The best historical fiction doesn’t rewrite the past. It lets the past rewrite the characters.

And let’s not forget the tech trap. A character lighting a cigarette in 1600? A horse-drawn carriage with a hidden pocket watch that shouldn’t exist yet? These aren’t small errors—they’re immersion killers. historical setting, the specific time and place where the story unfolds, including its social norms, tools, and daily rhythms isn’t just a backdrop. It’s a character. If the setting doesn’t feel real, the characters won’t either. People in the past didn’t have our assumptions. They didn’t know what we know. Their fears, hopes, and language were shaped by their world—not ours.

What you’ll find below isn’t a list of perfect books. It’s a collection of honest takes—on what goes wrong, why it matters, and how to tell the difference between a story that breathes history and one that just dresses up in it. Some posts dig into how much truth survives in these novels. Others call out the myths we keep repeating. A few even show how readers are changing what they expect from historical fiction today. You’ll see why Nora Roberts’ emotional depth works in romance, but wouldn’t fly in a 17th-century court drama. You’ll understand why Dune’s mythic tone feels right in sci-fi, but a similar approach in a Civil War novel would feel off. This isn’t about being a history nerd. It’s about respecting the past enough to tell better stories.

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Common Problems in Historical Fiction and How to Spot Them

Explore the key problems in historical fiction-anachronisms, clichés, cultural missteps, and research gaps-and learn practical ways to fix them.

Eldon Fairbanks, Oct, 15 2025